Back on Hwy 6

A couple weeks ago, coming back from Galveston, I noticed the Goldenrods were out.  I have never gotten any pictures of Goldenrods.  So, I decided to take an afternoon and go back and get some.  I stopped at several locations, and will share those pics in another post.  But, as I was coming home, I passed by this abandoned farm.  All of the pictures of similar places I have taken were taken in the winter, and the lack of trees with leaves enhances the starkness of the image.  In this case, I decided, rather than coming back, that I would go ahead and take some pics.

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In doing some of the processing of the image, I added a vignette.  Then I wondered what it would look like with a negative vignette.  I think it enhances the feeling of this image.

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Producing an image

I want to write a longer post about what I went through to produce a specific image.  When I was coming back to the car after I took the pictures of the “Wacotown” sign on the building at fourth and Franklin, I looked and saw the combination of the clock on the WISD’s Mae Jackson Building and the ALICO Building.

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I used the exposure brackets in the camera to take three pictures – one correctly exposed, one under exposed and one over exposed, and used the HDR software to produce an HDR version of it.

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I liked that, but, somehow the clock was giving me an art deco vibe, and that made me wonder how this would look as a black and white image.  So, I took the HDR image and removed the color in Aperture.

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That had a rather dark and brooding nature as a result of the HDR treatment.  I decided to try something else, and used NIK effects Color Effects Pro on the HDR image to make a Black and White version.

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That made it a little darker and even more broody.  I tried Using NIK’s Silver Effects Pro on the HDR image and got this.

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That was really dark and broody.  It had almost an old horror movie feel to it, and it looked really grainy like it was shot on tri-X film and pushed.  So, I wondered what it would look like with less treatment.  I went back to the original, single image that was correctly exposed and used Silver Effects on it to get this.

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This is much “cleaner.”  I think I am going to make an 8×10 print of it, and put it in an 11×14 mat in a simple black frame.

Icons of Waco

We had a meeting of the HOTPPG a week ago, and Doug Box took us outside to do some shooting.  While doing that, I became interested in the refurbished Waco Hippodrome sign.  I went back there on Thursday to see what kinds of angles might exits, and I found one that I could get both the sign and the ALICO building together.

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Return to Dynamic Imagery

It has been a while since I did HDR imagery.  I made a book of the Galveston Images and used some in a calendar for next year.  I have been meaning to start some of locations in Waco.  So, yesterday, I decided to get started on that project.  I shot around the suspension bridge, the courthouse, and the hippodrome.

For this post, I want to post the shots from the suspension bridge/Indian Springs Park area.

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Galveston – The Elissa

I have been doing quite a bit of HDR imagery using Galveston locations.  We were down there the weekend of the 8th.  I didn’t really feel in the mood on Saturday morning but then remembered we joined the Galveston Historical Society. That meant we could get into The Elissa for free.  So, I decided to go down to the harbor and shoot a little and go on The Elissa and shoot.

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In looking at one of the magazines, I saw a picture take roughly in the same place as this.  Only, it was a night photograph, and all the winds glowed brightly.  It was an effective picture, and I would like to try a similar thing at some point, but this was just take from behind Willie G’s looking back at it.

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While we were in the harbor, this fishing boat came in.  It made an interesting subject for an HDR image. Then I noticed that a woman on the boat was quite busy dealing with the catch and got a nice picture of her.

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We then went over to The Elissa and walked around the ship.

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Fine Art Prints

I have been intrigued by the idea of fine art prints.  A CreativeLive seminar with Doug Landreth explored how he goes about making them.  It was interesting, but there was not nearly enough explanation. In Photoshop, he overlays images with layers that he manipulates into patterns that add barely visible elements and textures to the image.  The result is quite good.

As a first step in looking at that, I took some of the pictures I took last week on Highway 6, and transformed them into Black and White.

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It turns out there are a variety of ways of producing Black and White images.  One is simply to reduce the color saturation of the image.  There are other “effects” in Aperture.  They somehow use selective filters in the operation. For these, the one that I liked the most used a Red filter.  I am not sure what that really means, but it had the effect of darkening areas of the sky until they were almost black.

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It is almost like using a polarizing filter. The rest seemed to exaggerate the starkness of the image.

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Looking at these calls to mind scenes from the old John Ford Westerns.

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