85 mm f/1.4 lens

 

My new 85mm f/1.4 lens came earlier this week.  It is manual focus and manual aperture.  Kind of like going back in time.  After focusing on the subject, the viewfinder meter has an exposure indicator, and exposure is controlled by either changing the shutter speed or the aperture.  However, this is not even a lens that stops down to the chosen aperture when the picture is taken.  When you change aperture, you see the results immediately.  So, stopping down makes the image in the viewfinder darker.

This is a “portrait” lens because the wide aperture gives a shallow depth of field. The whole idea of this lens is to focus on one spot and almost everything goes out of focus but that spot.

I went to Indian Spring Park yesterday and took some pictures with it.  I was not all that thrilled by them.  The truth is, most were not properly focused.  Although, the couple that were, had a very sharp focus.  So, I went back today.  I did a little better. I took about a dozen pictures, and all but two were in really good focus.

Lone Star Rally Equipment Statistics

Using Aperture Inspector, here is a quick analysis of the equipment I used at The Lone Star Rally. I took 152 (63%) images with the a700 body and 89 (37%) with the a550.  I used three lenses.  I took 139 (58%) pictures with my old Quantaray Tech 10 70 – 210 f/2.8 lens.  I took 73 (30%) with my Quantaray 18 – 35 f/3.5 lens, and 29 (12%) with my Tamron 90 mm f/2.8 Macro.

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Lens Repair Followup

My 70 – 200 f/2.8 lens somehow stopped working properly.  So, I sent it to Tamron.  They received it and before it could be repaired, Sandy hit.  So, it spent a week there.  I called them this morning, and they have repaired it and shipped  it yesterday.  So, I will have it Friday.  Great news!

The Skull Fetish of Motorcyclists

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There is an obvious fetish in the motorcycle community. Although skulls are the most common expression of this fetish, it goes a little wider than just simply skulls.

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Skulls are painted onto motorcycle parts, and they are incorporated into parts that are cast.

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They can be rather straight forward depictions, or more stylized.

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They are universal in the culture.

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But, I believe the skull is just a convenient icon for a broader involvement.

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The skull fetish is really an expression of a wider fetish with the morbid.

 

Lone Star Rally – The Event

SONY DSCWe went to the Lone Star Rally on Saturday. There were probably 200,000 motorcycles there. We got there about noon and stayed until about 3:30.  The motorcycles are parked two and three deep all along Strand and Mechanic Streets.

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There is barely enough room in the middle of the street for a line of motorcycles to ride in.  There is a constant parade of motorcycles all day long. SONY DSC

There is lots of food and entertainment and a competition for the best custom cycle.

Fast Glass

I mentioned before that the wedding photography seminar we watched featured a photographer who used three prime and one zoom lens.  The three primes were a 24 mm f/1.4, a 50 mm f/1.2, and an 84 mm f/1.4. Everything she shot was with available light.  Well, now I appreciate why she used such fast glass.

I used Aperture Inspector to look at the aperture and iso I used for the wedding last Saturday.  91%of the pictures were take with apertures less than f/5. 40% were taken at iso 400, 27% at iso 800 and 6% were taken at iso 1600.  86% of the pictures were taken at shutter speeds faster than 1/60 second.

Faster glass would mean wider apertures, lower iso values and faster shutter speeds.

I found a Rokinon 85mm f/1.4 on eBay.  It is manual focus and manual aperture.  So, it will take some experimenting.

Focus Points

There is a feature in Aperture called “Show Focus Points” that creates an invisible overlay on the image and then indicates what focus point(s) was/were used to create the picture.  This has a certain potential for images that might not be as sharp as you would like.  They may not be sharp because the camera was not really focusing on what you thought it was, and this feature will let you see that.

Unfortunately, it does not appear to work with my cameras. I didn’t know whether Aperture just could not obtain the data or whether the data were not collected by the camera.  I posted to the flickr group, and found that the data really are recorded, but, apparently Aperture does not recognize them.  There is a program that can be run from inside Terminal that can access all the data.  The program is called exiftool.  The problem is, inside terminal, you must do it one image at a time.  Even at that, when I run it, I can’t find the focus point.  I can only find the focus mode.

Aperture Inspector

There is an application called Aperture Inspector that allows you to obtain a variety of information about your equipment use for the pictures in an Aperture Library.  When you open it, you link it to an Aperture library.  You can set a specific date range.  It tells you what camera bodies you used, what lenses you used, if they are zoom lenses, what focal lengths were used, what apertures were used, what shutter speeds were used, and what iso settings were used. There is also information about filters.

Sandy

Hurricane Sandy has hit the east coast.  Last week, I sent my Tamron 70 – 200 f/2.8 lens in for repair.  I sent it to Commack, New York.  Commack, New York is on Long Island.  I really hope that I will eventually get my lens back.

Second Shooter

I was not paid as the second shooter on the wedding, and that was what I wanted.  This way, I am able to use my own images.

I recently read something that made me really think about that.  Sal Cincotta has an on line magazine called “Behind the Shutter.”  In it, his wife has an article about second shooters.  She says they always pay their second shooter.  They  learned a hard lesson about that early when they had a second shooter who was not paid.  That person shot over their shoulder.  Thus, they go the same image as the principal photographer.  They then used the image on their own web site, claiming credit for it. So, now, they pay their second shooters and the second shooter uses their memory cards and must surrender them at the end of the shoot.  They are not allowed any use of the images at all.

In some respects, I think that is as immoral as what the second shooter did.  I understand that the principal photographer is the one with the job, and has the right to sell and market the images.  That’s fine.  However, for that person to take credit for producing the image isn’t right.  If I shot as a second shooter, and made a really great image, I would not have a problem with not selling the image to the client, but I would have a problem with never being able to use or display that image as mine.  And, I would have a great deal of problems with someone else taking credit for the creation of that image.  They are no more entitled to that credit than the second shooter who shot over their shoulder.